The following video lecture contains paintings and photos I compiled while walking in New York
(Dedicated to Professor Brendan O’Flaherty)
Strolling in New York City is a world tour. The street fairs of Spanish Harlem mesh into college town Columbia. Columbia gives way to the shabby chic of the Upper West Side. A few blocks farther and I am drowned by the tourists of Times Square. Even further, and I reach the mindless bustle of Wall Street brokers. There could be no more fitting a place for the United Nations
I stroll and try to identify the passing languages. Spanish in the outer boroughs. Polish in Greenpoint. Russian in Brighton Beach. Cantonese in Chinatown. French and German in SoHo.
Reading “Here is New York” by E.B. White, I realize how little New York has changed in the past 60 odd years. Sure, the streets, cars, and tenements are different. But the essential spirit of dynamic and diverse urbanism remains. Here is New York.
To read more about my walks in New York, click here.
Growing up in inner-city Newark and attending school in suburbia, I have always wondered how these two environments were so distinctly different. How could so many cultural and socioeconomic differences exist in communities only a few miles apart? Furthermore, how did the suburban environment of my school effect the urban environment of my home?
I have spent much of my life walking around New York City. And, the layout of this metropolis’ streets has always interested me. I relish in discovering new ways to walk between two places and in finding new streets I have never seen before. Inevitably, I ended up asking myself the following question: How does the layout of New York City streets reflect its history and heritage?