A home is half the promise. (draft of dissertation chapter)

Published to my website privately, under consideration for publication in Journal of American History

How market forces undermined the promise of public housing in Newark

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Building 7 at Newark’s Scudder Homes demolished in summer 1997

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To bring about integration, the first to do is to do it. [….] The change-over to a policy of nonsegregation is not so difficult and troublesome as one anticipates. [….] If a housing authority shows complete sincerity in the change and never retreat from their announced position with respect to non-segregation, the change will be successful. This, in any case, is what we have found to be true in Newark.

– Newark Housing Authority Executive Director Louis Danzig, 1952

 

In 1962, the future of racial integration in Newark looked promising. Newark’s newly elected Mayor Hugh Addonizio praised the movement toward racial integration before a meeting of the United States Commission on Civil Rights in Newark City Hall. He described the apparent success of urban renewal to build high-quality public housing projects in black neighborhoods. Thousands of families once lived in wood frame tenements without central heating, interior plumbing, and private bathrooms. They now lived in public housing where, for the first time in their lives, they had their own bedrooms, bathrooms, and year-round steam heating.
Newark’s program of urban renewal cost taxpayers at least 128 million in federal funds (1.4 billion in 2020 dollars) and 53 million in local funds (550 million in 2020 dollars). This program costing by 19677 two billion (adjusted for inflation) gave Newark the fifth most expensive urban renewal program in the nation after New York, Chicago, Philadelphia, and Boston. An estimated 55,000 more were displaced from their homes in the process, 45,000 for urban renewal and 10,000 for highway construction. By the end of this program, some 37 thousand people, representing about one in every ten Newark residents, lived in public housing.
Just eight years before in 1954, the U.S. Supreme Court ruled in Brown v. Board of Education that separate was not equal and that racial segregation laws were not legally enforceable. In the few years before Brown, Newark had already moved to desegregate public housing and to assign residents to whichever of the city’s approximately fourteen public housing projects they preferred. Newark public schools also seemed to offer the promise of racial integration. The city’s population was 66 percent white in 1960 and 34 percent black. This would mean that every public school, if fully integrated city wide, would have two white children for every black child. The mixed incomes and races across Newark seemed to offer the possibility of a future egalitarian metropolis: schools and neighborhoods of both diverse races and diverse incomes.
For all its promises, this program of urban renewal failed spectacularly. By the 1980s, opponents and activists described urban renewal and public housing as “The Second Ghetto,” as high-rise slum housing as dangerous as the ghettoes they were supposed to replace. By 2010, most of Newark’s public housing from the urban renewal age had been demolished. Other lands cleared of homes to build urban renewal projects never found the financing to build and remain vacant lots. Among dozens of high-rise towers of public housing containing thousands of apartments, all but seven towers were demolished. The urban poor were expelled from public housing towers that had become concentrations of crime, drugs, poverty, and decay.
The program had fallen far from its hopeful origins when President Harry Truman signed urban renewal into law with the 1949 Housing Act. Truman announced at the program’s launch: “The private housing industry cannot in the foreseeable future provide decent housing for these families. Their incomes are far too low to cover the cost of new housing of any adequate standard. [….] We have a national responsibility to assure that decent housing is available to all our people.” By 1963 at the height of the civil rights movement, James Baldwin famously characterized urban renewal as something “most northern cities now are engaged; it is something called urban renewal, which means moving the Negroes out. Getting it means Negro removal; that is what it means. And the federal government is an accomplice to this fact.” In the span of these fourteen years, a program Truman described as the fight to create “decent housing” had evolved into what Baldwin characterized as “Negro removal.”
The reasons behind the failure of public housing are more complex than simple reasons like “Negro removal,” poorly designed architecture, or state hatred for black people. Urbanist thinker Jane Jacobs blamed the failure of public housing on architecture. High-rise towers of public housing, she claimed, were too tall and too modern an architecture for families used to living in old tenements, Victorian townhouses, and rural farms. But the failure of social housing in Newark was not caused by poor design choices, low-quality architecture, or the supposed prejudice of the people who built and directed the program of urban renewal. Nor was the failure of social housing caused by the poor families, and especially rural black families who lived in these houses and were – the legend claims – unprepared for urban life. Instead, the failure has more do with employment discrimination, urban abandonment, and market policies that chose to under-invest in Newark and its people. These private forces collectively ensured the public failure of the Newark Housing Authority’s two billion dollar program of urban renewal.
Fundamentally, public housing in Newark was a two-part promise. Good homes at affordable prices for poor families were one half the promise: a promise met and provided by the public section. Economic mobility and non-discrimination in employment for those living in public housing was the missing half of the promise. It was a promise that the private sector failed to meet in an age of de-industrialization and suburbanization.

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Based on archival records, planning documents from the Newark Housing Authority, and old newspaper articles, read the full report on how public housing in Newark was designed to fail.  →

9,300 words, 23 pages

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Acknowledgements
I thank the archivists of the Newark Public Library and City of Newark Archives for granting me access to the primary sources that make my work possible. I also thank Newark-native Brendan O’Flaherty. His textbook on urban economics framed my understanding of Newark. His unpublished text chapter “How did Newark get to be a city where people aren’t rich?” also provided me a framework to understand the contemporary landscape of poverty in Newark. I am grateful to Zemin Zhang for his research on Louis Danzig and the history of the Newark Housing Authority. Last of all, I am grateful to the residents of Newark public housing, for their struggle and their perseverance to live in a system rigged against them.

Built on a Billion-Dollar Bed of Corporate Tax Breaks

What kinds of tax breaks are we giving to redevelop Downtown Newark?
Who is getting them?

An investigative report on public funds for private profit.

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“Free enterprise is a term that refers, in practice, to a system of public subsidy and private profit, with massive government intervention in the economy to maintain a welfare state for the rich.”
– Noam Chomsky

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Contents

[1] Who owns the land around Mulberry Commons?

[2] If past predicts future, what kind of past tax breaks have we given?

[3] The problem is not tax breaks. The problem is: Who gets them?

[4] How can we ensure equitable economic development in Newark?
Five policy recommendations.

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Artist’s rendering of Newark Penn Station expansion

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Introduction: A Case Study in Edison Parking

The City of Newark borrowed $110 million to pay for a pedestrian bridge over Route 21. This new link between Mulberry Commons and Penn Station will allow travelers, event goers, and sports fans to walk directly from the trains to the games at the arena. Newark City Hall and the media are describing this as Newark’s equivalent and response to New York City’s High Line. This project follows on the already $10 million spent on building Mulberry Commons.
As part of misguided car-centered 20th-century urban planning, thousands of highways were built in our nation through low-income communities of color, to divide the less privileged in hundreds of places like Newark. Through the tools of public investment in public space, now is a moment to make wrong historical injustices like Route 21, Route 22, Interstate 78, and Interstate 280. Now is a historic opportunity for the urban form as tool of reparations.
However, what parts of the public – divided across lines of race, income, and home address – will benefit the most from this project? Will the benefits of this investment disproportionately go to a few people or institutions, such as Prudential Center patrons and Edison Parking tenants?

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The City as Carceral State

Context: The following personal essay accompanied my application for the Gupta Values Scholarship from the University of Michigan. I am sharing it here because it speaks more broadly to my background, education, activism, and research interests.

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Entrance gate to the Old Essex County Jail

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One out of every one hundred black men in my neighborhood of Newark, NJ is currently in prison. At least half have a permanent criminal record as formerly incarcerated people. Most charges are for drug use and possession, often marijuana records from when marijuana was illegal. My earliest memories of Newark are of the homeless walking down our street to the nearby food pantry and young men carrying boom boxes on their shoulders (this was before the iPod). I will always remember observing one woman as she passed our house each day. The first time I saw her, she had been recently evicted and dragged two suitcases behind her. With each passing week, the suitcases gradually grew lighter until – after several weeks – all she had left was a grocery bag of belongings, her dignity gradually stripped away. Up our street was the public housing project of Baxter Terrace – three-story red brick barracks where the urban poor lived under constant police surveillance. Most were unemployed and all were on public welfare.
I remember taking the train to school in the suburbs. In the span of only five miles, vacant lots and abandoned buildings in one of the nation’s poorest cities gave way to large homes on tree-lined streets in one of the nation’s wealthiest suburbs. The distance of five miles – or in some cases a single city street – was all that separated the poverty of my city from the wealth of its suburbs. At the city limits of Newark, a system of one-way roads, streets without sidewalks, and aggressive “neighborhood watch” signs separated the city from the suburb. On one block, apartment buildings, treeless streets, and bodegas that accepted food stamps. Just one block over, there were century-old trees and four-bedroom homes selling for up to a million dollars. Here in these suburbs, homeowners commuted to Downtown Newark each day and returned home each night, bringing home with them the wealth they made in the city. So little and yet so much separated these two worlds.
Martin Luther King described America in a 1968 speech he gave in Detroit: “There are literally two Americas.  Every city in our country has this kind of dualism, this schizophrenia, split at so many parts, and so every city ends up being two cities rather than one. There are two Americas. One America is beautiful for situation. [….] But there is another America. In this other America, thousands and thousands of people, men in particular walk the streets in search for jobs that do not exist.” So much and yet so little has changed since 1968. The racial wealth gap is almost the same today as it was in 1970. In Newark, median black family income is less than $30,000. In Newark suburbs, median family incomes are over $100,000.

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Goodbye Baxter Terrace

Written by my father Zemin Zhang on December 2, 2007

 

“I love you darling’
“Baby, you know I do
“But I’ve got to see this Book of Love
“Find out why it’s true”
Every day in 1955, Charles Patrick, 17, and a group of teenagers came together to sing in the Baxter Terrace’s recreation hall.  By 1958, they had sung their heart out and their song, “Who Wrote the Book of Love?” hit the country and even spread as far as Europe and Australia.  “Oh, I wonder, wonder ohm ba doo who….. who wrote the book of love?”  Charles never found the answer and two members of the Monotones, the Ryanes Brothers, died in their 30’s.  Now that Baxter Terrance has been scheduled for demolition, I wonder if people could find some old and broken pages of the Book of Love from the rubble of this 66 year-old project.

 

Immediately after the establishment of the Newark Housing Authority (NHA) in 1938, word spread out that one of  four “low-cost “ projects, a complex of 21 apartment buildings, would be in an area surrounded by Orange, Nesbitt, James, and Boyden Streets.  Among 1,363 buildings in the vicinity, 45 percent residents were black, living in substandard condition, many even without bath tubs and toilets.  (Only 10 percent of the city population was black.)  To construct the largest public housing in the state, the Orange-Nesbitt project needed to clear a few hundred buildings, while the other three (Pennington Court, Seth Boyden Court, and Stephen Crane Village)  would be built on mostly vacant land.  All land negotiations with lucrative commissions were assigned to three white agents, despite of the protest of Harold Lett, the only black NHA member.

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The Paterson Silk Strike in Historical Perspective

1913 to 2023

 

A century later, the mills of Paterson sitting abandoned, their machines silent

Exactly 110 years ago today – on July 28, 1913 – Paterson silk mill workers voted to end their strike. Their strike had failed. But what has changed (or not) since then frames their historical struggle in the context of ongoing labor battles. The motivations of the strikers are as relevant in 2023 as they were in 1913: the fight for a living wage, for an eight-hour day, and – ultimately – for the right to work that feels meaningful.
The silk looms of Paterson required a high level of skill to operate: to draw the thin threads into delicate patterns, to weave the silk without breaking it, to never pull the threads too tightly that embroidered patterns curled up into themselves. Machines kept the rooms humid all year round – hot in summer, cold in winter – so that the silk threads remained damp, malleable, and less likely to tear from dryness. Workers suffered in the moisture; cases of asthma and lung diseases were common. Management was threatening to replace their skilled labor with machines. Whatever creativity and skill was still required to operate the looms was gradually being lost. Thousands in Paterson went on strike for five months from February to July 1913. They ultimately failed when management refused to concede to their demands and when workers in other mills refused to join in solidarity.
The machines in Paterson were powered first by water and wood, then coal, and finally electricity. The inventors of mill machines were scattered across the New York region. Factory machines needed to be close to the men who invented them and repaired them when, inevitably, these new inventions broke down. The investors in silk were on Wall Street and Lower Manhattan. The markets selling silk were department stores on Manhattan’s Ladies Mile, better known as Sixth Avenue. (Sixth Avenue was still largely residential.) A popular saying ran: 8th Street down the men are making it; 8th Street up the women are spending it.
The distance between markets and manufacturers was once measured in miles, the distance by train from Paterson to New York City or the distance by foot from the Triangle Shirtwaist Factory to Ladies Mile. This distance is now measured in thousands of miles. In the 19th century, Jacob Riis shocked the city’s elite with photos of Lower East Side tenements and factories located less than a mile from their Fifth Avenue homes. On June 7, 1913, the Paterson strikers brought the strike to the city. They boarded trains to Madison Square Garden and re-enacted their strike on stage for an audience in the thousands. Some strikers played on stage as police, others as management, and others as themselves. It was one of the the first times in American history that labor was transformed into a public pageant, into a public spectacle that hoped to make visible their struggle to New York City consumers. Pageants were traditionally military and state affairs that celebrated events like battle victories, elections, and fancy dress balls in theaters. To put on as large a public spectacle to celebrate striking and strikers was something new.
Fearful for their property and of socialists on their doorstep, Upper East Side residents organized their own unit of the National Guard based in a custom-built Park Avenue Avenue castle. Nicknamed the Silk Stocking Regiment for the wealth of its members, they paraded annually down Fifth Avenue in a display of wealth and force.

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“Where Evil Dwells” at Newark’s Old Essex County Jail

As originally published in The Newarker, December 2020

 

Photo by Madeline Berry

“The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognized it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison.”
– Nathaniel Hawthorne, The Scarlet Letter, 1850
When citizens convened in 1836 to incorporate Newark as a city, one of their first orders of business was to discuss the construction of a new jail. Four years earlier, they had set aside land for the new cemetery. The previous year, the old county courthouse and jail had burned down in one of the fires that periodically swept through early American towns of wood-frame homes. All traces of this old courthouse are now gone, except for the building’s basement dungeon where convicts were kept awaiting trial. Remnants of this dungeon are still visible in the dark crawlspace beneath the sanctuary of Grace Church on Broad Street.
This quiet village was already approaching 170 years old. Newark’s population numbered only 10,542 free white Americans, 6,000 Irish, 1,000 English and Scotch, 300 Germans and 358 free colored people in 1835. Within the span of a few months, in 1836, the town’s first two railroads linked Newark to points west and south; oil streetlights illuminated the town center; the first school system for poor children opened; and another fire swept through downtown. In the next few decades, the population would grow almost ten percent every year. Newark was fast becoming a city.
However, Newark remained in many ways a farming hamlet with Puritan roots. Since 1666, the annual town meetings had been held in the courthouse, the “Court Room at Moses Roff’s Taven,” or inside one of the lecture rooms of Old First Presbyterian Church near the corner of Broad and Market Streets. The sexton of Old First was, in fact, paid three dollars per year by the Town Committee “for cleaning the Lecture room of said Church.” The names of attending officials read like a list of street names from a modern Newark address book: Treat, Baldwin, Bruen, Pennington, Doremus, Halsey, Harrison, Frelinghuysen, etc. The lands they farmed and passed down through generations span much of present-day Essex County.
In the expanding town, it was no longer possible “to Farm let” the city’s debtors and poor to the lowest bidder, who in the years before the American Revolution paid £159 for the privilege. Nor was it possible to use fines as punishment for the most common public nuisances, which included escaped hogs and cattle roaming Newark’s dirt streets due to poorly maintained fences. The town records had noted few serious crimes like rape or murder in more than a century. Nonetheless, with waves of “rowdy” German and Irish immigrants soon to come, Newark needed a jail.

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Time-lapse Animation of Triangle Shirtwaist Factory Fire

This animation reconstructs the exact conditions of the workplace, the locations of each fallen body, and the progress of the 1911 fire minute by minute. It is in an accurate-to-the-inch virtual reality model based on trial records, police reports, original measured plans, and primary sources.

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Audio testimonies from:
Pauline Newman letter from May 1951, 6036/008, International Ladies’ Garment Workers’ Union Archives. Cornell University, Kheel Center for Labor-Management Documentation and Archives.
Louis Waldman eyewitness in Labor Lawyer, New York: E.P. Dutton, 1944, pp. 32-33.
Anna Gullo in the case of The People of the State of New York v. Isaac Harris and Max Blanck, December 11, 1911, pp. 362.

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The Triangle Shirtwaist Factory fire on Saturday, March 25, 1911 was the deadliest fire in New York City history and one of the deadliest fires in American history. The factory was located on floors eight, nine, and ten of the Asch Building, built in 1901 for various garment sweatshops in Manhattan’s West Village.
To prevent workers from taking unauthorized breaks, to reduce theft, and to block union organizers from entering the factory, the exit doors to the stairwells were locked – a common and legal practice at the time. As a result, more than half of the ninth floor workers could not escape the burning building.
As a result of the fire and lack of workplace protections, 146 garment workers – 123 women and girls and 23 men – died by fire, smoke inhalation, or jumping and falling from the 9th floor windows. Most victims were recent Italian or Jewish immigrant women and girls aged 14 to 23.
After the fire, factory owners Max Blanck and Isaac Harris were not convicted and were ruled “not guilty.” They “compensated” each victim’s family a mere $75. The fire led to news laws requiring fire sprinklers in factories, safety inspections, and improved working conditions. The fire also motivated the growing International Ladies’ Garment Workers’ Union that organized sweatshop workers to fight for a living wage, job protections, and the right to unionize.
Click on individual annotations in model to fly around the factory and follow the time sequence of the fire.

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Virtual Reality Model

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Primary Sources

– Cornell University’s Kheel Center for Labor-Management Documentation & Archives (website)
– The 1,500 page transcript of witness and survivor testimonies (transcript)
– Victim names and causes of death (source and map of victim home addresses)
– Original architectural plans of the building used in the trial (PDF plans and source)

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Architectural Plans

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Stairway of death: view looking up the Washington Place stairway that was locked during the fire

Audio Sources

Horse drawn carriage
Power loom
Workplace bell
Classroom
Large crowd
Elevator
Small fire
Large fire
Fire truck bell
Fire hose
Dull thud
Heartbeat
– Closing song: Solidarity Forever by Pete Seeger, 1998
– Closing song: Solidarity Forever by Twin Cities Labor Chorus, 2009

 

The Slave Trader Turned Banker: Slavery and the Origins of a Modern Bank

Based on primary sources and archival records of the slave trade
Written for Rebecca Scott’s history seminar: The Law in Slavery and Freedom
Read / download essay as PDF, opens in new tab
Selling slaves equipped Liverpool merchant Thomas Leyland with the money to create what is now the Hong Kong Shanghai Bank of China. With profits from merchant trading and Caribbean slave sales, Leyland wrote thousands of letters to build a Transatlantic business. Analyzing these 250-year-old business records reveals the mechanisms of human trafficking.
From the comfortable distance of Liverpool, Bristol, and London, Leyland’s letters describe bodies he and his co-investors would never see some 4,500 miles away in the Caribbean. In an age before telegraphs, steamships, and rapid transcontinental communication, Leyland required a paper trail to carry out his orders. Across the distant branches of his global business empire, the medium of written letters linked these distant investments to London.
Thomas Leyland was a banker, trader, millionaire, and three times Mayor of Liverpool. Born 1752 to working class family of limited means, little land, and no royal titles, he chanced upon wealth when in 1776 he won £20,000 in the lottery. He was only twenty-four. This wealth he first invested in merchant ships to sell consumer goods and transport the likes of oats, peas, wheat, oatmeal, bacon, hogs, and lard from Irish farmers to British markets.[1] By 1783, with profits from these businesses, Leyland turned to the risk-intensive capital required to launch slave voyages, purchasing captives on the West African coast and selling them to cotton and sugar plantations in the Caribbean. His ~70 recorded slaving voyages transported an estimated 22,365 captives to the Americas, of whom about one in ten died during the months-long voyage. By his death in 1827, Leyland had amassed a fortune of some £600,000.[2]
Examination of his account books in Liverpool and at the University of Michigan show the 1789-90 journey of the Hannah with 294 African captives and the 1792-92 journey of the Jenny with 250 captives. Both year-long journeys began in Liverpool, sailed for West Africa, exchanged guns and cloth for human cargo, sold their captives in Jamaica, and then sailed home to Britain. His written correspondence of 2,262 letters also survives in the Liverpool Record Offices. Close reading of these documents in parallel – the ship manifest and the letter book – unpacks the mechanics and finances of Leyland’s slaving operation turned modern bank.
These documents reveal the mechanisms and mentality of a human trafficker. Never in them does Leyland claim – as a moral cover for their profit motives – that such African bodies were being saved from a darker fate of certain death from their African captors. These letters never claimed either that slavery was justified. Nor did Leyland use the cover of Christianity and the Christian language of missionary work to justify in his letters what he did to these Africans. His few written comments on the subject do not even recognize the need to justify slavery, the slave trade, or his role in it.[3]
Instead, the letters present the trafficking of human cargo in matter-of-fact language. In one day’s correspondence and from the same desk, Leyland ordered his agents to landscape the lawn of his country house, purchase grain from Ireland, deliver rum to an associate, and sell Africans in Jamaica. The tone of Leyland’s writing in flowing cursive script and flowery prose does not change, whether discussing matters as banal as drapery or as life changing as human trafficking. From Liverpool, Leyland managed business but at no point had he ever seen or inspected the human products he was buying, and nor did his London colleagues. In this way, these letters all describe slaves in the abstract, as bodies, as cargo, and profits per head sold. Leyland’s writing transforms the human body – a name, a person, a fate – into nothing more than a number on a page.

Watercolor of Leyland & Bullins bank on York Street in Liverpool in 1807. Bank offices at right. Leyland’s family home at left. Warehouse for Caribbean rum, Irish oats, and slave trade goods in rear. This building survives today unchanged. [4].

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Time-lapse History of the United States

This animation visualizes 272,000 data points spanning 220+ years of the U.S. census since 1790. With data from the National Historical Geographic Information System (NHGIS) at the University of Minnesota, I geo-referenced racial dot maps for all ten year intervals since 1790. Overlaying and fading time-lapse cartographies into each other reveals the scale of environmental and urban change.
● Each dot represents 10,000 people.
Top ten largest cities for each decade are labeled in orange.

Musical accompaniment by Philip Glass from the 1982 experimental film Koyaanisqatsi. In the Hopi language of the indigenous peoples of Arizona, the word koyaanisqatsi means “life out of balance.”
As you watch the map, ask:
1. How is the transformation of Indigenous lands into ranches and farmlands made visible in this film?
2. How do immigration and state policies change the built environment? In what ways are immigration and the law visible from the bird’s eye view of this film?
3. How has slavery influenced the demographic landscape and sequential racial dot maps shown in this film?
4. How do changes in transportation technology – in the sequential eras of the canal, the railroad, the highway, the airport, and now the internet – impact how people settle and distribute themselves across the built environment?

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Sources:

1. Steven Manson, Jonathan Schroeder, David Van Riper, Tracy Kugler, and Steven Ruggles. IPUMS National Historical Geographic Information System: Version 17.0 [dataset]. Minneapolis, MN: IPUMS. 2022. http://doi.org/10.18128/D050.V17.0

2. Social Explorer. https://www.socialexplorer.com/

3. U.S. population over time

4. Top ten largest U.S. cities over time

Does the American city need a new “public entrepreneur” like Robert Moses?

Performing winter 2022 at The Shed in Hudson Yards is Straight Line Crazy, a two-act play about Robert Moses. He was New York City’s leading planner from the 1930s through 1960s, responsible for 35 highways, 12 bridges, 658 playgrounds and over 2 million acres of parks. Since the publication of Robert Moses’s 1974 biography The Power Broker by Robert Caro, Moses has been variously remembered for the thousands of projects he completed, admired for those public parks that brought communities together, hated for his proposal to carve an expressway through Lower Manhattan, and despised for those infrastructure projects that divided non-White communities.
Act one builds up Robert Moses as the Oxford-Columbia educated planner but with slight populist tendencies in his construction of Jones Beach and hundreds of playgrounds. This script for public consumption is of course incomplete without the mandatory repetition – originating from The Power Broker – that bridges over the access roads to public beaches were too short for buses of Black people to pass under.
Act two takes down Moses by trotting through the usual history with mentions of the 1960s Cross Bronx Expressway. Out of 250,000 people displaced citywide for “slum clearance” and “urban renewal” projects, that highway alone displaced some 40,000 people – mostly tenements of working-class immigrants. In the final scene, a young Black architect employed in Moses’s office repeats James Baldwin’s 1963 claim that “urban renewal means … Negro removal” and confronts Moses saying that her family and everyone she knows was displaced for the Cross Bronx.
That a city planner should be the subject of an off-Broadway play speaks to the enduring power of Robert Moses in the public imagination. Robert Moses succeeded in a profession now weighed down by paperwork and bureaucracy. In his complete vision of a city and ability to execute projects in face of the odds, Robert Moses represents the total power many planners and architects today secretly – or not so secretly – wished they had. Like him or hate him, we cannot seem to forget him.

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